JOYBOY/JOY-MARIE THOMPSON

2025 TRISK ARTIST-IN-RESIDENCE


Photo by Alan Libert

JUNE 12-14, 8PM

EARLY BIRDS
$22 / $30 SUPERFAN / $50 🌟 SUPPORTER
$17 HEARTS for Queer, Trans, BIPOC – any or all

AT-THE-DOOR
$26 / $30 SUPERFAN / $50 🌟 SUPPORTER
$17 HEARTS for Queer, Trans, BIPOC – any or all

All seating is general admission

JoyBoy da Clown in a bathroom with a mop and yellow mop bucket. They are wearing black fishnets, a white tank top, and a black thong. Their clown makeup is smeared. The mop is in between their legs to resemble a phallus.

Photo by Alan Libert

Farewell My Fool

Farewell my fool.
Your time has come.
Starry eyed dreams die
When we're young.

Featuring JoyBoy da Clown, performed and created by Joy-Marie Thompson, "Farewell My Fool" is a dance theater/performance art piece utilizes clowning and humor to interrogate the legacy of exploitation in performance, the failures of ambition, respectability politics, and self-realization.

Headshot of Joy-Marie Thompson looking into the camera in a black tank.

Photo by Priscilla Perez

JOY-MARIE THOMPSON

Joy-Marie Thompson is a performing artist, writer, and educator from Pittsburgh, PA. As a performer, they have worked with choreographers such as Sidra Bell, Staycee Pearl, Shamel Pitts, Stephanie Batten Bland, Maxine Doyle, and Damani Pompey. They have appeared in The Mckittrick Hotel’s Sleep No More, at The Public Theater for Erika Dickerson-Despenza’s shadow/land, The Metropolitan Opera’s El Niño and Aida and Geoff Sobelle’s HOME. Their commercial credits include performing in music videos for Chloe Flower and The Kills. Their alter ego, JOYBOY has performed dance comedy shows at Triskelion Arts and 3 Dollar Bill. As an educator, Joy-Marie has taught improvisation and contemporary dance as an adjunct lecturer at SUNY Purchase’s Conservatory of Dance and pilates at Harlem Pilates, Chelsea Piers Fitness, and Kinected. Their writing has been published by thINKingDANCE and Imagining: A Gibney Journal. 

@joyboydaclown

Black and white image of JoyBoy da Clown laying stomach down on a chair in backstage dressing room. They are wearing fishnets, a black thong, and a white tank top. Their white face/red nose clown makeup is smeared. Their legs dangle on the floor.

Photo by Alan Libert

The Trisk Artist-in-Residence program offers 150 studio hours over six months, dedicating extensive time to explore, experiment, and delve deep into the artistic vision. Throughout this journey, the Artist-in-Residence receives dedicated support from our technical, administrative, and marketing teams, ensuring the creative process is nurtured and amplified. The residency culminates in a three-evening performance run in the Trisk Theater.

THE TRISK ARTIST-IN-RESIDENCE

Our Artist-in-Residence programming is made possible through the generous support of the Rockefeller Brothers Fund.

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TUSHRIK FREDERICKS | MAY 29-31