TRISK PRESENTS
NVA & Guests


Cry Wolf (Phase One)

October 2, 2024
6:30PM & 8PM

RUNTIME: 40 minutes with no intermission

Get a first look at phase one of NVA & Guests' new project. These performances offer a sneak peek into a larger concept still in development. Experience the creative exploration that will shape the final, complete production. 


Cry Wolf
is a dance-theater production that interlaces the urgency of climate change awareness with the classic narrative of "The Boy Who Cried Wolf." The project transforms the familiar fable into a contemporary allegory about the dangers of ignoring repeated warnings, both environmental and ethical. Through a blend of highly physical choreography, text, and direct audience interaction, the show challenges spectators to discern truth from deception amidst a flood of information. Utilizing humor, Cry Wolf explores themes of responsibility, misinformation, and communal consequence, making it a poignant commentary on the state of our world's climate discourse and democratic engagement.

Image by Unknown Artist

Choreography and Direction
Nicole von Arx (in collaboration with the performers)

Performers
Annie Morgan
Caitlin Taylor
Christian Warner
Gabriel Katz
Rachel Harris
Rush Carson

Charlotte Bydwell - Acting Coach
Melissa Gomis - Creative Advisor

Lighting Design
Anna Wotring

Special thanks to The Brooklyn Arts Council, CUNY Dance Initiative, the whole team and students at Gerald W. Lynch Theater At John Jay College, our Trisk fam <3, Nicole Wolcott, Risa Steinberg, Dan Gross, the von Arx fam, and The Ardsley House Foundation for all their support throughout our first process. We would also love to thank our stunning cast for their devotion, trust and brilliance. So grateful for all of you!

Image by Gabriela Ferreira

ABOUT THE ARTISTS

NVA & Guests exists as a platform to produce and share the artistic work of choreographer Nicole von Arx, providing opportunities for the exchange of ideas across cultures and cultivating community on a local and international level. Through a rotating roster of performers representing a diverse array of backgrounds, the company offers a repertory of individualized dance/theatre works that can be seen on large stages as well as in flexible/non-traditional performance spaces. With roots in New York City and Switzerland, NVA & Guests invites audiences across the globe to forge genuine connections with performances that present the company’s unique combination of dynamic physicality and theatrical narrative.

ANNIE MORGAN
Annie Morgan hails from Birmingham, Alabama and studied at Point Park University’s Conservatory of Dance. After graduating, Annie performed for GroundWorks DanceTheater for four seasons, and was named “25 to Watch” by Dance Magazine. Recent credits include Valerie Chiang's short film, "You Gotta Dance for It," Joelle Santiago's "another route demands,” Brian Golden’s “Smile and Wave,” WHITE WAVE Dance, backup dancing for comedian Hannibal Buress and Impractical Jokers, and performing as an immersive character in Matt Stone and Trey Parker’s “Casa Bonita.” Annie is currently a Community Actionist for Gibney Dance’s Hands Are for Holding community programming.

CAITLIN TAYLOR
Caitlin Taylor earned her B.F.A. in Dance at Marymount Manhattan College, and has worked for the past eleven years as a freelance dance artist in NYC and abroad. She worked with Alexander Whitley Dance Company from 2017-2019, and has had the privilege to perform at The Royal Opera House, Jacob’s Pillow Dance Festival, The Royal Danish Opera, The Joyce Theater, Scottish Opera, and many more. Since 2021, Caitlin has worked with NVA & Guests on their last four works, Stay With Me, TOMORROW, Mont Blanc, The Fear Project, and their film, SOI. Caitlin is also a costume designer.

CHRISTIAN A. WARNER
Christian A. Warner is an interdisciplinary performing artist, choreographer, and director. His company credits include Boca Tuya, Sidra Bell Dance New York, TU Dance, Owen/Cox Dance Group, Ponybox Dance Theatre and Deeply Rooted Dance Theatre. He has performed select repertoire from creators Alvin Ailey, Bryan Arias, Raja Feather Kelly, Alan Lucien Øyen, Aszure Barton, Darius Barnes, Yoshito Sakuraba, Rena Butler, Stefanie Batten-Bland, Kayla Farrish, and Slowdanger. His choreography and direction has been commissioned by Triskelion Arts, Owen/Cox Dance Group, Trevor Jackson, McKoy Dance Project, Ballet Co-Laboratory, James Madison University, Full Out Creative, and the Blacklight Summit curated by Tariq O'Meally.

CHARLOTTE BYDWELL
Charlotte is a performer, creator and teacher who works primarily at the intersection between text and movement. She has choreographed Off-Broadway, around NYC and for leading regional theaters such as the Old Globe, Williamstown Theatre Festival, Virginia Stage Company and the Cape Playhouse. Additional credits include: season choreographer for Comedy Central’s, ALTERNATINO, and choreographer for the national tour of A Charlie Brown Christmas. Select performance credits include: The Michaels (Public Theater), HELP (The Shed), A Month in the Country (Williamstown), Much Ado About Nothing (The Old Globe) and Monica Bill Barnes & Co. (company member). Charlotte created ‘Moving into Language’, a movement-based approach to acting. She has taught at Juilliard, Limón Dance Company, Gibney, Barnard, Peridance and HB Studio among others. She is on faculty at Stella Adler and The New Group/LIU BFA Program. Training: Juilliard BFA in Dance, The Old Globe/USD MFA in Acting. www.charlottebydwell.com

GABE KATZ
Gabe Katz (he/him) is a dancer, choreographer, and educator with a BFA in dance from Marymount Manhattan College. He is also an alum of The School at Jacob’s Pillow, HSPro at Hubbard Street Dance Chicago, and Springboard Danse Montreal. Gabe has performed repertoire by choreographers such as Ohad Naharin, Hofesh Shechter, Peter Chu, Sonya Tayeh, Jonathan Campbell and Austin Diaz with MADBOOTS DANCE, Jenn Freeman, Akira Uchida, and Rena Butler. His commercial credits include Gap, Puma, Eartheater, Shygirl, Paul McCartney, and Ryan Heffington. He was featured in Akira Uchida’s film “Still” which premiered on NOWNESS. He has taught and choreographed at dance institutions around the country, creating numerous live works and dance films. Gabe was also a performer and swing in the final years of Punchdrunk’s Sleep No More in NYC.

RACHEL HARRIS
Rachel Harris is a dancer and choreographer based in New York City. 2023 Bessie Award Nominee for “Outstanding Performer,” Rachel Harris (Charlotte, NC) graduated Cum Laude from the University of Southern California Glorya Kaufman School of Dance with BFA in 2020 where she performed the works of William Forsythe, Crystal Pite, d Sabela Grimes, Barak Marshall, and many others. Harris later joined Zeitgeist Dance Theatre under Francisco Gella and Yusha Marie Sorzano and Parsons Dance where she performed works by David Parsons, Robert Battle, Rena Butler, Chanel de Silva, and Matthew Neenan. Rachel has been named Howard University’s 2021 Emerging Choreographer to Watch, Gibney Dance Converge2Emerge 2021 Film Grant Recipient, and 2022 Finalist for New Century Dance Project. Rachel's work has been commissioned by Howard University, Traverse City Dance Project, amongst others, and she has produced an evening length show with Emmy Award winning singer songwriter Paul Brill. She has most recently performed at the Metropolitan Opera and Traverse City Dance Project and continues to freelance as a dancer and choreographer throughout the US.

RUSH CARSON
Rush Carson, a graduating senior from the Conservatory of Dance at SUNY Purchase with a BFA in Dance Performance and a concentration in Composition, is an upcoming performing artist and choreographer. In 2020, he was selected as the YoungArts winner for choreography. Recently, he has worked with choreographers including Ethan Colangelo, Andrea Miller, Loni Landon, Gregory Dolbashian, Kimberly Bartosik, Hannah Garner, and Francisco Gella. Beyond his dance career, Rush has also composed and produced musical scores for choreographers such as Gregory Dolbashian, Michelle Thompson, Juan Carlos Franquiz, Elinor Kleber Diggs, and for his own choreographic projects.

MELISSA GOMIS
Melissa is a Swiss environmental scientist based in Paris with a strong interest in art and visual aesthetics. As a scientist, she moves from one environmental issue to another. She investigated chemical pollution and how humans and ecosystems are exposed to it. She is now working in the field of climate change, supporting the production of IPCC assessment reports. In parallel, she directed a short film on the impact of clouds on the fast-warming Arctic climate. Her work experiences brought her down to Ivory Coast up to Svalbard: along her way, she witnessed the fragility of the environment and human societies, and how both are intertwined. She strongly believes in the power of art and artists in raising awareness on environmental issues and ultimately in supporting scientists, who have been sounding the alarm for decades.

ANNA WOTRING
Anna Wotring a Pittsburgh native, is a community-minded dance artist, designer, and production stage manager committed to the practice of collaborative leadership. She currently works with Annie Heath, Lauren Horn, Jennifer Nugent, and slowdanger as a technical design consultant, dancer, and production stage manager. Wotring obtained her Bachelor of Fine Arts in Dance at the Five College Dance Department in Western Massachusetts. She has had the privilege of working with a multitude of dance organizations, including Alvin Ailey Studios, Attack Theater, Ballet Des Ameriques, BalletNext, Bill T Jones/Arnie Zane Company, the Dance Conservatory of Pittsburgh, Dance Place, H2O Contemporary Dance, Monica Bill Barnes and Company, New York Live Arts, the Pillow Project, Prayers of the People, RoseAnne Spradlin, Scapegoat Garden, Time Lapse Dance, and many others. Wotring is beyond excited to be working and imagining with the Trisk team.


“Cry Wolf” is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC).


We respectfully acknowledge that the work of Triskelion Arts is situated on the traditional, ancestral, unceded territory of Lenapehoking, the homeland of the Lenape peoples. We pay our respects to their land, water, and ancestors, past, present, and future. This acknowledgment demonstrates a commitment to the process of working to dismantle the ongoing legacies of settler colonialism and to learning to be better stewards of this land.


NEXT UP…

[RE]DEFINING [SPACE]
CURATED BY ARANTXA ARAUJO & SARA KOSTIC

OCT 24-26, 2024
8PM


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