Moving Landscapes
Guest Curated by Erick Montes
Plástica, cuerpo en situación*
Geraldine Cardiel
APRIL 15, 2022
Plástica, cuerpo en situación, is a movement-based piece, created to explore the body and her basic physical elements in partnership with object-appropriation and architecture to reveal layers of consciousness. It evolved into a crossing of characters in a world of fantasy and contemplation that emerged from difficulty. The creation will advance through merging experiences with the other universes on site during the residency.
*please note this piece contains adult content.
Sound Design
Atocha Crespo
Costume
Santos Abundio Batún Kantún
Lighting Design
Conor Mulligan
Sound Technician
Pamela Dols
Geraldine Cardiel
Mexican artist, a certified practitioner at the Feldenkrais Institute in New York. She has had the opportunity to teach and show her work as a choreographer in countries like Finland, Spain, Colombia, Unites States, England and Mexico.
Since 2015 she collaborates with Tumàka't danza contemporanea and lives in Mérida, Yucatán.
Atocha Crespo
Mexican videographer, sound designer, and photographer centers their experience documenting various work around the Yucatan peninsula. He holds a degree in communications and happily lives in the peninsula of Yucatán.
Conor Mulligan
(Resident Lighting Designer)
Credits include: NEW YORK: The Giant Hoax, (Theatre Row), KonverjdansIII (The Mark O’Donnell Theater), Jumping Mouse (Museum of Jewish Heritage), BalletNEXT (NYLA), National Children’s Chorus (Carnegie Hall), Satellite Collective’s Echo & Narcissus 2018 (BAM Fisher), Adam Minus Josh, (Theatre Lab), Start From Hello A New Musical (Hudson Guild Theatre), A Midsummer Night’s Dream (Smith Street Stages), Lambs For Slaughter, The Overcoat, The Master and Margarita, Lady With A Lap Dog, The Three Sisters, Crime and Punishment (The Russian Arts Theatre & Studio), The Phillie Trilogy, Do You Dream In Spanish, (Fresh Fruit Festival 2017), The Commuters (Calendar Boys Productions). REGIONAL: PIRIRA, Old Love New Love (Luna Stage, NJ), On Golden Pond (Bristol Riverside Theatre), This Is Our Youth (Wellfleet Harbor Actor’s Theatre, MA), E2, The 39 Steps, Sweeney Todd, All She Must Posses, The Other Place (REP Stage, MD), Columbinus, Fly By Night (1st Stage, VA), Manuel Vignoulle – M/Motions (Tulsa Performing Arts Center), The Effects Of Gamma Rays on Man-In-The-Moon Marigolds [Winner of the Craig Noel award for Outstanding Lighting Design 2018], Fool For Love, True West (Cygnet Theatre, CA), Lesson 443 (MOXIE Theatre, CA), Thrill Me (Diversionary Theatre, CA). INTERNATIONAL: Cirio Collective: In the Mind, The Fourth Way, Parting Thoughts (Despertares Impulsa 2019; Guadalajara, MEX). Conor is a proud member of USA 829. More at www.conormulliganld.com
Pamela Dols
Pamela Dols is a professional audio engineer with five years of experience in live production. She is certified in Sound Recording Technology, and has used her credentials to build her career from the ground up. She began with unpaid internships at small recording studios and is now a choice engineer for events all around the tri-state area. Pamela has worked a wide range of events. From local theaters to network-sponsored events, she is no stranger to adaptability. Music and art has been center stage for all of Pamela’s life. She continues to take strides in her career, and aspires to be a rolemodel for fellow queer POC women in a caucasian male-dominated trade. On her off days you’ll find Pamela playing video games, hiking, visiting museums, and going to concerts.
@dampols
Special thanks to Erick, Lourdes, Vania, Claudia, Alyssa, Paulo and Olivia.
The participation of Geraldine Cardiel is made possible thanks to the additional support of Mexico Now Festival and CUNY Mexican Studies Institute.
Trisk Presents is brought to you in part by:
We respectfully acknowledge that the work of Triskelion Arts is situated on the traditional, ancestral, unceded territory of Lenapehoking, the homeland of the Lenape peoples. We pay our respects to their land, water, and ancestors, past, present, and future. This acknowledgment demonstrates a commitment to the process of working to dismantle the ongoing legacies of settler colonialism and to learning to be better stewards of this land.