2ND BEST DANCE COMPANY
RED


JUNE 15 & 16, 2024
8PM

RUNTIME: 1 hour 45 minutes including a brief intermission

This performance includes audience participation! Participation is voluntary. If you choose to participate, you will not be asked to leave your seat, and you will be told exactly what to do. To signify that you consent to participate, please visibly wear a sticker. You may remove your sticker at any time.

Choreographed, written, and directed by Hannah Garner

Performers of 2nd Best
Courtney Barth
Hannah Garner
Will Noling
Ryan Yamauchi

Costumes and Props
Ariel Noltimier Strauss

Directorial assistance
Ann Noling and Patrick Garner

Music
Offerte non encore exécutée, H. 522 composed by Marc-Antoine Charpentier, performed by Musica Antiqua Köln & Reinhard Goebel
Le chevalier du guet (The Night Watch Officer) performed by André Claveau, Mathé Altéry, Christian Borel & Claire Vallin
O Waly, Waly performed by Chanticleer
I’m Sorry written by Dub Allbritten and Ronnie Self, performed by Brenda Lee
Nocturne Op.9 No.2 In e Flat Major composed by Frederic Chopin, performed by Brigitte Engerer
Dancing Queen written by Benny Andersson, Björn Ulvaeus and Stig Anderson, performed by ABBA
Parlez-moi d'amour written by Jean Lenoir, performed by Lucienne Boyer
Messe a 3 voix (Panis angelicus) composed by César Franck, performed by Debrecen Kodaly Choir, Dezso Karasszon, and Salamon Kamp

Lighting Designer
Matt Morris

Technical and Production Manager
Anna Wotring

Lightboard Operator
Sabrina Canas

The first scene borrows language from Little Red Riding Hood written by Charles Perrault.

Photo by Ingrid Holmquist

2nd Best Dance Company creates, performs, and teaches physically rigorous, sometimes virtuosic, almost always slapstick dance-plays. We connect to audiences, students, and professionals alike as we share emotionally accessible work that is relatable, honest, and resonant.

Our work… 

  • believes in art-making that is exploratory, empathetic, and goofy. 

  • values feeling over reality and seeks our truest sensations over absolute truth. 

  • blends humor and tragedy while tackling “topics like death and queer identity through rigorous, inventive movement and wit” (Dance Magazine). 

  • grapples with big ideas in very human ways (aka messy ways).

Since our founding in 2016, we have used our practice and platform to play out absurdist scenes: we move, perform text, sing, utilize props, unconventionally handle proscenium spaces, and ask the audience to play active roles or even perform in the work alongside us. The unpredictability of live performance excites us, as does building a nexus between dance and text, humor and tragedy, viewer and performer. We tackle big topics, play very seriously, and lean into hunches that take us to uncertain and often ridiculous places all to ask: what does it mean to be alive?

Pursuing these interests, our work has gone past the traditional dance proscenium to include collaborations in sculpture, animation, theater, film, and site-specific works. Led by Hannah Garner, a recipient of the Dance Magazine’s 25 to Watch in 2020, 2nd Best continues to seek multidisciplinary partnerships, explore limits of the body, and find solace in the humor of being human. 

2nd Best is thrilled to be on the last stop of their second tour of RED, beginning in Oklahoma City, heading south to Dallas and Austin, and ending at home in Brooklyn.

Hannah’s work has been commissioned by Whim W’Him Seattle Contemporary Dance, GroundWorks DanceTheater, Kizuna Dance, the SUNY Purchase Conservatory of Dance, The Wassaic Project, A-Y/Dancers, and the Hartt School, as well as musical artists like Snail Mail, Half Waif, and Frankie Cosmos. 2nd Best productions have been presented through Gibney Dance, GALLIM, Arts by the People, Mark Morris Dance Group, The Ace Hotel, Triskelion Arts, Friends Seminary, Dixon Place, The Wassaic Project, WOW Cafè Theatre for The New York International Fringe Festival, and Chen Dance Center, among others.

2nd Best is based out of NYC and lives online at www.2ndbestdance.com

Follow us @2ndbestdance

Photo by Ingrid Holmquist

ABOUT THE ARTISTS

Hannah Garner (she/her/hers)
Hannah, awarded Dance Magazine’s ‘25 to Watch’ in 2020, graduated summa cum laude from SUNY Purchase, earning a BFA in Performance and Composition and a minor in Arts Management. Hannah has worked with Doug Varone, Raja Feather Kelly, Sue Bernhard Danceworks, Megan Williams Dance, and Rovaco Dance Company in venues such as The Joyce Theater, New York City Center, the Park Avenue Armory, and New York Live Arts. Her work as 2nd Best Dance Company has been commissioned nationally by leading contemporary dance companies and has appeared on theater stages and on film. In addition to her performing work, Hannah finds a creative home in teaching: she is currently on the dance faculty of SUNY Purchase and Gibney Dance Center. She also sits on the Bessie Selection Committee for 2023-2024. Hannah is deeply affected by the weather and how the trains are running.

Courtney Barth (she/her/hers, they/them/theirs)
Courtney is a New York based dancer originally from Las Vegas, NV. She began her training at Inspire Dance Company and Las Vegas Academy of Performing Arts. They then moved to NY and earned a BFA in dance at SUNY Purchase. While at Purchase, Courtney studied abroad at London Contemporary Dance School where she performed at Sadlers Wells as an original cast member in ‘Polaris’ by Crystal Pite. Since moving to NY they have had the pleasure of dancing with Shannon Gillen for NYC Fashion Week, Kensaku Shinohara with a residency at the Queens Museum, and Loni Landon / Amy Gardner for their film project titled ‘Fuel’. They are currently a dancer with Hannah Garner’s 2nd Best Dance Company and Doug Varone and Dancers.

Will Noling (they/them/theirs)
Will is a performer and educator born and raised in Brooklyn, NY. A founding collaborator with 2nd Best, they graduated summa cum laude from SUNY Purchase with a BFA in Dance, having spent a term on exchange at London Contemporary Dance School. Will also serves as Lead Actionist and Partnership Manager for the Hands are for Holding® program at Gibney, facilitating movement workshops for survivors of intimate partner violence and working in NYC schools with young people to promote healthy relationships. Will has also served as an Artistic Associate with Gibney Dance Company, and has performed works by Raja Feather Kelly, Chuck Wilt, Anne Teresa de Keersmaeker, and Crystal Pite, in venues such as New York Live Arts, Sadler’s Wells, and New York City Center. More recently, Will performed with Megan Williams Dance Project, and at the Joyce Theater with Doug Varone and Dancers.

Ryan Yamauchi (he/him/his)
Ryan was born and raised in Honolulu, Hawaii and began his dance training at the Mid-Pacific Institute School of the Arts. He later moved to New York and received his BFA in Dance from SUNY Purchase. Ryan has had the pleasure of dancing with Doug Varone and Dancers, Loni Landon Dance Projects, NVA & Guests, and Sidra Bell Dance New York. He has also performed as a guest dancer with Gibney Dance Company, Santa Fe Opera, and Santa Barbara Dance Theater. As a choreographer, Ryan collaborated with Hannah Garner to create an evening-length work titled Housewarming, and has been commissioned to create work for students at San Jose State University, SUNY Purchase, and The Juilliard School. Ryan is currently on faculty at SUNY Purchase and Peridance Center.

Granny (she/her/hers)
Granny to us, granny to all. Created from the rib of Ariel Noltimier Strauss.

Matt Morris
Matt Morris (he/him/his): Matt Morris is a New York City based lighting designer with design experience across theater and dance, music, comedy, and other live events. He particularly enjoys working on new work with emerging artists and has an affinity for dance and movement. Through his work at Triskelion Arts in Brooklyn he has collaborated on new pieces with several artists and companies like 2nd Best Dance Company, the SHA Creative Outlet, and the Jamal Jackson Dance Company. 

Sabrina Canas
Sabrina Canas (she/her) is a first generation Argentine American artist based in Brooklyn, NY. She holds her BFA in Dance from the University of the Arts (UArts), where she performed works by Jesse Zaritt, Netta Yerushalmy, Helen Simoneau, Marguerite Hemmings, Beth Gill, Sidra Bell, and others. In January 2018, she performed and attended the International Association for Blacks in Dance Conference in Los Angeles, California, under the direction of Tommie-Waheed Evans and Kim Bears-Bailey, and in November 2018, Sabrina produced and presented an immersive installation performance in Solmssen Court, under the direction of Niall Jones. Since moving to Brooklyn, Sabrina has presented a collaborative duet at The Craft, performed at BAM Fisher, 92nd Street NY, Triskelion Arts, Flushing Town Hall, and NOD Theater (SEA). She has been featured in music videos for jazz musician Tony Glausi, When It All Comes Crashing Down in 2021, and Raia Was, Playing God Again in 2023. Sabrina is currently collaborating and performing with Kinesis Project, SAXYN Dance Works and HB² PROJECTS among other independent project based artists in New York. She has shown work at The 14th St. Y, La Mama for EstroGenuis Expand, 28th Street Theatre (TADA!), SAA, and MOtiVE with tidbit collective  as the co-director.

​Sabrina is a Production Assistant at Triskelion Arts and served as stage manager for NVA & Guests at the Dance Managers Collective 2024 APAP Showcases at Ailey Citigroup Theater. She was the lighting designer and board operator for Yak Milk at Arts On Site in May 2024. 

Anna Wotring
Anna Wotring, a Pittsburgh native, is a community-minded dance artist, designer, and production stage manager committed to the practice of collaborative leadership. She currently works with Annie Heath, Lauren Horn, Jennifer Nugent, and slowdanger as a technical design consultant, dancer, and production stage manager. Wotring obtained her Bachelor of Fine Arts in Dance at the Five College Dance Department in Western Massachusetts. She has had the privilege of working with a multitude of dance organizations, including Alvin Ailey Studios, Attack Theater, Ballet Des Ameriques, BalletNext, Bill T Jones/Arnie Zane Company, the Dance Conservatory of Pittsburgh, Dance Place, H2O Contemporary Dance, Monica Bill Barnes and Company, New York Live Arts, the Pillow Project, Prayers of the People, RoseAnne Spradlin, Scapegoat Garden, Time Lapse Dance, and many others. Wotring is beyond excited to be working and imagining with the Trisk team.

Special thanks to Oklahoma Contemporary, Arts Mission Oak Cliff, and First Street Studios for hosting us and having us on tour.

This production of RED was initiated by Larry Keigwin. Special thanks to Larry for his love, support, and generosity.

Premiere: June 13-15, 2019 @ Triskelion Arts

RED was created in 2019 as Resident Artist of Triskelion Arts. As always, we are eternally grateful to the Trisk team for their continual love and support.

Special thanks to the Garner family, Tory Bailey, The Costume Collection at TDF, Ariel Noltimier Strauss, Taylor Schmuelgen, and Marie Casimir.

Special thanks to our Kickstarter donors: Elise Assenza, Thryn Saxon, Megan Williams, Pandosu, Nicole Lemelin, Logan, Linda Hughes, Colleen McLaughlin, Suzzanne Ponomarenko Dance, George Hopper Hewitt, Emily DeBlasi, A Charde, James Finn Garner, Robin Matthews, Marisa, Patricia Foley, Cathleen Cohane, Chris Leon, Eileen Sweeny, Lucia Haring, Jamie E May, Erin Hennessy Dean, Greta, Carol Gryzch, Jamie Rieger, Jessica Alexander, Barry, Hsiao-Jou Tang, Paulina, Vanessa Carroll, Nelly van Bommel Zelniker, Kathleen Morelli, Kim Robertson Lampe, Leisha Schutt, Fred Guterl, Terry Farley & Jeff Griffin, Marcia Brooks, and Alexa Carroll.


We respectfully acknowledge that the work of Triskelion Arts is situated on the traditional, ancestral, unceded territory of Lenapehoking, the homeland of the Lenape peoples. We pay our respects to their land, water, and ancestors, past, present, and future. This acknowledgment demonstrates a commitment to the process of working to dismantle the ongoing legacies of settler colonialism and to learning to be better stewards of this land.


Trisk is brought to you in part by:

OUR FRIENDS & SPONSERS